I love that Coloring blends the artistic and technical. The more I find about color science from my mentors, the more my fascination grows.
I was lucky enough to assist Elliott Powell, a freelance independent in long form, feature, commercials, and my good friend and mentor.
No two workflows are the same, just like no two conforms are the same, and approach differs so much from person to person, so I'm always shadowing colorists to soak up their wisdom.
I'm so excited to do more corporate work in DaVinci, and to learn more about Baselight, and to lend my freelance skills to indie productions as a one stop shop of edit and color.
Personally - my tastes are for film emulations, like the old technicolor prints or rich Kodak with painterly tones, and a background in lighting on set helps me paint with power windows. I'm involved in the reparatory "real film" scene in London and New York.
Jan 2025 - March 2025 Llueve Sobre Babel | Gala Del Sol Productions
A reimagining of Dante’s Inferno as a choral queer drama, drenched in psychedelia and mysticism.
Miami Intl Film FEstival, International Film Festival Rotterdam, Berlinale. Sundance
QC prepping for sales and distribution - dead pixels, reframing, filling reports
December 2024 Girl Car | Indie short
The first experimental short by writer trevor Padoll
A zero budget short for Prospect park failed film festival: an anthropomorphic 'Girl car' battles a 'girl' over the internet after a fateful accident
Featuring main stays of the brooklyn comedy scene, led by Amelia Ritthaler of 'the girls rewatch podcast'
© Becky Lamming 2023
